The most boring post! Or maybe not...?
This post is not really a post, but an ongoing reference list of sources I may or may not use in my research. It's not exhaustive, it's totally incomplete - I have way too many folders full of sources and links to YouTube Videos, podcasts, websites, etc. It's also not so much a boring post as it is overwhelming. At the moment it feels like too much, too much, too much!
I'll also post updates on my Mind Map progress. So yes, you could call this a 'living blog post'.
Everything in this post will change over the course of the year.
Milani R (2013) The Aesthetics of Grace, 2nd Ed., Peter Lang Publishing, New York.
Stecker R (2010) Aesthetics and the Philosophy of Art, Rowman & Littlefield Publishers, Plymouth UK.
Morrison K (1988) I Am You: The Hermeneutics of Empathy in Western Literature, Theology, and
Art, Princeton University Press, Princeton NJ.
Sedivy S (ed) (2021) Art, Representation, and Make-believe: Essays on the Philosophy of Kendall
L. Walton, Routledge, New York.
Albu C (2016) Mirror Affect: Seeing Self, Observing Others in Contemporary Art, University of
Minnesota Press, Minneapolis.
Lotto B (2017) Deviate: The Science of Seeing Differently, Hachette Books, New York.
Slingerland E (2003) Effortless Action: Wu-wei as Conceptual Metaphor and Spiritual Ideal in
Early China, Oxford University Press, Oxford.
Sartre JP (1948) The Psychology of Imagination, Philosophical Library, New York.
Robinson J (2005) Deeper than Reason: Emotion and its Role in Literature, Music, and Art, Oxford
University Press, Oxford.
Langford M (2007) Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic
Art, McGill-Queens University Press, Quebec.
Feldman-Barrett L (2017) How Emotions are Made: The Secret Life of the Brain, Houghton Mifflin
Harcourt, New York.
Warner M (2002) Fantastic Metamorphoses, Other Worlds: Ways of Telling the Self, Oxford
University Press, Oxford.
McCampbell M (2022) Imagining Our Neighbours as Ourselves, Fortress Press, Minneapolis.
Dwivedi PS (2022) Aesthetics and the Philosophy of Art: Comparative Perspectives, Routledge,
Stewart S (2011) The Poet’s Freedom: A Notebook on Making, The University of Chicago Press,
Bell V (2006) Yeats and the Logic of Formalism, University of Missouri Press, Missouri.
Classen A (ed) (2020) Imagination and Fantasy in the Middle Ages and Early Modern Time:
Projections, Dreams, Monsters, and Illusions, De Gruyter, Berlin.
Collingwood RG (2005) The Philosophy of Enchantment: Studies in Folktale, Cultural Criticism,
and Anthropology, Boucher D, James W and Smallwood P (eds), Clardendon Press, Oxford.
Goldwater R (1979) Symbolism, Westview Press, Colorado.
Witzel EJM (2012) The Origin of the World’s Mythologies, Oxford University Press, Oxford and
Peltzer-Montada R (ed) (2018) Perspectives on Contemporary Printmaking, 1st edn, Manchester
University Press, Kindle.
Glaveanu V, Karwowski M, Jankowska D, De Saint-Laurent C ‘Creative Imagination’ in Zittoun T
(ed) (2017) Handbook of Imagination and Culture, Oxford University Press, Oxford.
Keen S, (2006) ‘A Theory of Narrative Empathy’, Narrative, 14(3):207-236.
Ridley A (1997) Collingwood’s Expression Theory, The Journal of Aesthetics and Art Criticism,
Pedersen G (2018) Empathy and Aesthetics: Edvard Munch and the Paradox of Pictorial Thinking,
Kunst Og Kultur, 101(4):208-223.
Wiltsher N (2018) Feeling, emotion and imagination: in defence of Collingwood’s expression
theory of art, British Journal for the History of Philosophy, 26(4):759-781.
McElhinney D and Dayman L (2023) Japanese Washi Paper: 8 things you need to know
Wabi-Sabi | A Japanese Philosophy of Perfect Imperfection
IKIGAI | A Japanese Philosophy for Finding Purpose
Ernest et Celestine
Everything, Everywhere, All at Once
Eternal Sunshine on the Spotless Mind
The Tale of the Princess Kaguya
The Little Prince
The House That Beebo Built
Frog and the Stranger
My Octopus Teacher
Tell Me Who I Am, 2019 (not yet seen)
The Elephant Queen, 2018 (not yet seen)
https://www.npr.org/transcripts/712276022 (The End of Empathy)