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A 'Live' Reference List

Updated: Jun 16, 2023

Reference list:

Adamowicz E (2009) État Présent: The Livre d’Artiste in Twentieth-Century France, French

Studies, 63(2):189-198, doi:10.1093/fs/knp061.

Akhtar S (2019) ‘The concept of intimacy: an introductory overview’ in Kanwal G and Akhtar S

(eds) (2019) Intimacy: Clinical, Cultural, Digital and Developmental Perspectives,

Arnheim R (1997) Art and Visual Perception: A Psychology of the Creative Eye, University of

California Press, Berkley.

Balfour B (2016) ‘The what and why of print’, in Peltzer-Montada R (ed) Perspectives on

Contemporary Printmaking, 1st edn, Manchester University Press,

Barrett T (1993) Japanese Papermaking: Traditions, Tools, and Techniques, Weatherhill, New


Basbanes N (2013) On Paper: The Everything of Its Two-Thousand-Year History, Alfred A.

Knopf, New York.

Beyes T & De Cock C (2017) Adorno’s grey, Taussig’s blue: Colour, organization and critical

affect, Organization, 24(1):59-78, .

Blatterer H (2015) Everyday Friendships: Intimacy as Freedom in a Complex World,

Blatterer H (2019) Siegfried Kracauer’s Differentiating Approach to Friendship, Journal of

Historical Sociology, 32(2):173-188, .

Borsuk A (2018) The Book, MIT Press, Cambridge.

Brody, EB (1978) ‘Intimacy and the fantasy of becoming both sexes’, Journal of the American

Academy of Psychoanalysis 6(4):521–531, DOI: 10.1521/jaap.1.1978.6.4.521

Brockelman TP (2001) The Frame and the Mirror: On Collage and the Postmodern,

Northwestern University Press, Evanston.

Busche D, Hellige H and Klanten R (eds) (2013) The Age of Collage: Contemporary

Collage in Modern Art, Gestalten, Berlin.

Butor, M (1961) Inventory, Translated by R Howard, Simon and Schuster, New York.

Chapman J & Chapman D (2000) Jake Chapman, Dinos Chapman: Exquisite Corpse, TATE,

Chandler D (2007) Semiotics: The Basics, Routledge, New York.

Cooper T & Law J (eds) (2016) Printopolis, Open Studio, Toronto.

Danesi M (2004) Messages, Signs and Meanings: A Basic Textbook in Semiotics and

Communication, 3rd ed, Canadian Scholars’ Press, Toronto.

Dragu M (2020) Form and Meaning in Avant-Garde Collage and Montage, Routledge, New


Drucker J (1988) Iliazd and the Book as a Form of Art, The Journal of Decorative and

Propaganda Arts, 7:36-51.

Drucker J (1997) The Self-Conscious Codex: Artists’ Books and Electronic Media, SubStance,


Drucker J (1995) The Century of Artists’ Books, Granary Books, New York.

Ehrlich, HS (1998) ‘On loneliness, narcissism, and intimacy’, American Journal of

Psychoanalysis 58(2):135–162, DOI: 10.1023/A:1022160332189

Gaia AC (2002) ‘Understanding Emotional Intimacy: A Review of Conceptualization,

Assessment and the Role of Gender’, International Social Science Review,


Gallop J (1982/1983) Lacan’s “Mirror Stage”: Where to Begin, SubStance, 12(37-38):118-128.

Heyenga L (ed) (2011) Paper Cutting: Contemporary Artists, Timeless Craft, Chronicle Books,

San Fransisco.

Hunter D (1974) Papermaking: The History and Technique of the Ancient Craft, Dover

Publications, New York.

Kanwal G (2019) ‘Friendship, friendliness and intimacy’ in Kanwal G and Akhtar S (eds) (2019)

Intimacy: Clinical, Cultural, Digital and Developmental Perspectives, Routledge,

Kanwal G and Akhtar S (eds) (2019) Intimacy: Clinical, Cultural, Digital and

Developmental Perspectives, Routledge,

Kapitan L (2020) Crafting the Artist Book as Embodied, Relational Practice, in Leone L (ed),

Craft in Art Therapy: Diverse Approaches to the Transformative Power of Craft Materials

and Methods, Taylor and Francis, ProQuest Ebook Central,

Kochar-Lindgren K, Schneiderman D and Denlinger T (2009) The Exquisite Corpse:

Chance and Collaboration in Surrealism’s Parlor Game, The Overlook Press,


Koffka K (1935) Principles of Gestalt Theory, Routledge, London,

Knights M (2013) A world between: a survey of prints by Milan Milojevic, Artlink, accessed


Kracauer, S (1990) Über Die Freundschaft: Essays (6. Aufl.) Suhrkamp Verlag,

Frankfurt am Main.

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Workshop Press, Rochester.

Lovejoy M (1997) Artists’ Books in the Digital Age, SubStance, 26(82):113-134

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Palgrave Macmillan,

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and Lacan, Routledge, New York.

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Peltzer-Montada R (ed) (2018) Perspectives on Contemporary Printmaking, 1st edn,

Manchester University Press, Kindle.

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Recognition’ in Pineda JA (ed) Mirror Neuron Systems: The Role of Mirroring Processes

in Social Cognition, Humana Press, New York, DOI: 10.1007/978-1-59745-479-7_9

Roth Clark AC (2013) ‘The Handmade Artists’ Book: Space, Materiality, and the Dynamics of

Communication in Book Arts’, [PhD Dissertation], The University of Alabama, Alabama,


Stewart G ( 2011) Bookwork, The University of Chicago Press, Chicago.

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Gigantic, the Souvenir, the Collection, Duke University Press, 1992. ProQuest Ebook

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Williams, R (1977) Marxism and Literature. Oxford University Press, Oxford, DOI: 10.1017/S0047404500005698



McElhinney D and Dayman L (2023) Japanese Washi Paper: 8 things you need to know

The Japanese Paper Place:

YouTube videos

Wabi-Sabi | A Japanese Philosophy of Perfect Imperfection

IKIGAI | A Japanese Philosophy for Finding Purpose

Nihonga techniques

Japanese Paper Techniques

Paper Engineering

Graeme Oakley's Magical Changes:


Ernest et Celestine

Everything, Everywhere, All at Once

Eternal Sunshine on the Spotless Mind

Spirited Away

The Tale of the Princess Kaguya


Children’s books:

The Little Prince - Antoine de Saint-Exupéry

The House That Beebo Built - Philippe Fix

Frog and the Stranger - Max Velthujis

Magical Changes - Graeme Oakley


My Octopus Teacher


Any episode by Hidden Brain is worth a listen:

Anything by Invisibilia is as well:

And, of course, Radiolab:

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